File prep guide · United GMG
Bleed is the extra 0.125 inch of artwork printed past a piece’s trim line so the cutting blade lands in ink, never on bare paper. United GMG accepts files as print-ready when they carry that bleed, 300-PPI images, CMYK or spot color, embedded fonts, and a print PDF with crop marks.
PDF · 1 page · 990 KB
Send the file. We’ll tell you what it needs.
Attach the artwork you have — finished, half-built, or still a working file. You get back a written quote and a note on anything the file needs before it runs.
01 The numbers
Six things, and they are the same six on every job we print: 0.125 inch of bleed on every side, type and logos held inside the trim, images at 300 PPI at final size, color built in CMYK or named spot inks, fonts embedded or outlined, and a print PDF exported with crop marks and document bleed.
File acceptance · United GMG · Mount Prospect, IL
The numbers we check before anything runs · 847.588.7600
United GMG typically provides no graphic design — jobs print from the print-ready files you or your designer supply, and the card above is the full specification.
02 The mechanics
Bleed is artwork that extends past the finished size on every side. It gets cut off — that is the point. It exists so the blade has ink to land in when it drifts, which it always does by a fraction of a millimeter.
Commercial presses do not print one card at a time. Your layout is imposed onto a much larger parent sheet, often many copies to a sheet, printed, then stacked, clamped and cut down along the crop marks. Cutting a clamped stack is mechanical, and mechanical means tolerance.
If a background color or photo stops exactly at the finished edge, that tolerance is enough to expose a white sliver of bare paper on one side. It is the single most common reason a printed piece looks wrong when the file looked right — a business card with a thin white strip down one edge that nobody drew.

03 The difference
With bleed, the cutter removes excess ink and every piece in the run has a fully inked edge. Without it, the same drift that bleed absorbs exposes bare paper — one card looks fine, the next carries a white sliver.
Not every layout needs it. A design with a deliberate white margin or a framed border sitting well inside the trim has nothing reaching the edge, so there is nothing to protect. Keep those borders thick enough that a small shift does not make one side look thinner than the other — hairline frames are the least forgiving thing you can put on a printed edge.
The blade never reads the file. Bleed decides whether it cuts through ink or bare paper.
04 The set-up
Set bleed when you create the document, not after the layout is finished. Every application below carries the setting; in Photoshop you build it with guides and a larger canvas.
Canva keeps bleed behind a single toggle and folds it into the export.
InDesign gives the most control, which is why most print files arrive from it.
Sending the working file rather than a PDF? Package the InDesign file first — File › Package collects the fonts and linked images so nothing arrives missing.
Photoshop has no bleed field, so you build the bleed into the canvas.
Illustrator ties bleed to the artboard, which makes set-up quick for vector work.
05 What goes wrong
Five patterns account for nearly every file we send back. All five are quick to fix in the working file and impossible to fix after the cut.
Backgrounds stop at the trim, and adding bleed afterwards shifts objects, breaks text wrap, and re-crops tightly placed images. The fix: rebuild the document at the right size with bleed on, then paste the layout back in.
A hairline stroke makes the artwork look like it reaches the edge while the fill underneath stops at the trim. The stroke is cut away and white appears. The fix: extend the filled shape itself into the bleed.
Text and logos hugging the trim get nicked by small shifts, and even when they survive they look cramped in the hand. The fix: hold everything that must be read at least 0.125 in inside the trim, and further on folded or bound pieces.
Screenshots, compressed web images and small files scaled up look fine backlit and soft on paper. The fix: replace with images that hit 300 PPI at the size they print, or place them smaller.
A hairline frame magnifies any trim variation — one side reads thicker than the other and the whole piece looks careless. The fix: use a thicker border, or let the color bleed off the edge instead of framing it.
06 Before you export
A minute of checks saves a phone call and a reprint. Tick these ten and the file goes to press without coming back to you.
Print-ready file checklist · United GMG
Ten boxes ticked, and the file goes to press without a phone call.
United GMG · 1864 S Elmhurst Rd, Mount Prospect, IL
60056 · 847.588.7600 · commercial printing since 1927
Bleed 0.125 in per side · Safety 0.125 in inside trim · Images 300 PPI at final size · Color CMYK or named spot · Fonts embedded or outlined · File print PDF with crop marks
unitedgmg.com/what-is-bleed-in-printing/
The same trim, safety and bleed numbers as a one-page PDF — the checklist’s companion, sized to email to whoever is building the file.
PDF · 1 page · 990 KB
07 Questions we get
Q.01
Bleed pushes artwork outward past the trim to protect the edge. The margin, or safe area, pulls important content inward so a small shift at the cutter cannot clip text or logos. Bleed is sacrificed on purpose; the margin is preserved on purpose.
Q.02
For small-format work — business cards, postcards, brochures — 0.125 inch (3 mm) on all four sides is standard, and it is what United GMG asks for. Large-format pieces usually take 0.25 to 0.5 inch because handling, laminating and mounting introduce more movement.
Q.03
Yes — export with crop marks on. They are the corner lines that tell the cutter where the finished size is, and they sit out in the bleed area where they get trimmed away. Crop marks plus document bleed is the export we ask for.
Q.04
Whenever any color, photo, graphic or background is meant to reach the edge after trimming, yes. If the design sits inside a clean white margin with nothing touching the edge, bleed is not doing anything and you can skip it. When in doubt, set it — unused bleed costs nothing.
Q.05
Posters, rigid signs and mounted graphics take 0.25 to 0.5 inch. Those pieces get handled, laminated or mounted, and each of those steps can move the material slightly. Tell us the finishing you have in mind and we will confirm the allowance for that specific build.
Attach the artwork and tell us what you are printing, roughly how many, and the date it has to be in hand. You get a written quote back, and if the file needs anything we say so before it runs.